Nico kemper alingsås
The internet is BIG. So BIG. And I have been in the fortunate position to come in contact with many great players and nice folks because of the Kemper and my profiles. One such nice human and great player is Nico Schliemann. Thanks to Kemper and social media I have corresponded to Nico over the years and he was kind enough to share his story of people liking his tones and wanting to know if I was ok with sharing some of his MBritt-based tones.
I said, sure, if I can interview you for my artist spotlight so more people can be aware of you.
MBritt Artist Profile – Nico Schliemann
So here goes:. First of all, thank you for taking the time to talk to me about your tone journey. I have followed you on social media a bit over the past few years seeing you onstage with some big acts over in Europe. What are your favorite styles of music to play, personally? It seems like the age of social media has given guitarists an enormous wealth of information on gear, technique, etc.
We seldom got to see guitar players unless they were on a TV show.
Now, there are hundreds of amazing guitarists all over the world who may not be familiar to the public at large but have huge online followings. How do you feel the social media age has contributed to the talent level of guitarists?
Christian Tidén och Ida Pettersson vann KM Herr & Dam
Do you have any favorite somewhat unknown players? Well I think the whole social media game has set the bar really high when it comes to chops and technique. I, too, was a bit of a gearhead over the years, having used every sort of rig imaginable. This also streamlines the setup and eliminates possible errors like dying patch cables and so on.
MBritt Artist Profile – Nico Schliemann
Do you tend to create song-specific performances for live shows or do you use a basic bank or two like a traditional pedalboard setup? Well both, it just depends on the gig. For a session or cover gig, I might just use banks two for electric and one for acoustic guitar. For touring purposes I usually program one performance per song, with all the tempos and effects dialed in for the songs, which makes it a no-brainer on stage, just going through the set list bank per bank.
My rig is not there to please anybody else but me, I have to play it and other peoples opinions about my rig are not relevant to nico kemper alingsås. And yes, I still love and use amps.
William "Bill" Oscar Brown
As for the industry standard of the Kemper, I really think that it has a really good standing world wide on big stages and productions. Or do you have favorite Kemper profiles that are vastly different? How do you feel the effects in the Kemper stack up with all of the new updates that have nico kemper alingsås out in recent years? Since I started using the Kemper almost 10 years ago, I feel that the Kemper community has grown immensely but there is still the feeling of community, especially on their website forum and social media pages.
Is that something that you follow? Plexi — Your email address will not be published. Save my name, email, and website in this browser for the next time I comment. So here goes: First of all, thank you for taking the time to talk to me about your tone journey. Hello Am always looking for good plexi sound Best regards Norbert. Thanks a lot for share your sound. Leave a Reply Cancel reply Your email address will not be published.
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